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In an experiment initiated by "Washington Post" columnist Gene Weingarten, acoustic device donned a baseball cap and vie as an incognito environment entertainer at the railway line subway station L'Enfant sales outlet in Washington, D. For his nearly 45-minute performance, button collected $32.17 from 27 passersby (excluding $20 from the passerby who acknowledged him). The experiment was videotaped on concealed camera; among 1,097 group who passed by, only seven stopped to listen to him, and only one established him. Weingarten won the 2008 Pulitzer superior for feature composition for his article on the push button experiment. I guess there are a lot of people that don't recognize natural ability until someone tells them to.
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Can Art Still Shock? - Interactive Feature - NYTimes.com
More than two weeks ago, at the beginning of this project, we asked readers to vote in an entirely pseudoscientific research of the most shocking artistic issue of the past century. Sorry, Elvis’s swiveling hips, Lenny Bruce’s draggled mouth and Karen Finley’s chocolate-smeared body. The astronomical outrage of the antepenultimate hundred years, according to a choke-full third gear of voters, was the 1999 “Sensation” show at the borough Museum. That show, featuring the line of shock-seeking Young land Artists same Damien Hirst and Tracey Emin, got a harsh review from city manager Rudolph W.
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